The Overcoat and The Namesake: The Changes

Essay illustrating the paralels between Jhumpa Lahiri's novel The Namesake to Nikolai Gogol's short story "The Overcoat."

Jhumpa Lahiri includes a quote from Nikolai Gogol’s “The Overcoat” as the inscription to her novel The Namesake but the parallels do not end there. Allusions to the short story can be found everywhere— Gogol gets his name from the author Nikolai Gogol, Ashoke is literally saved by a page from “The Overcoat,” and a brief biography of Nikolai Gogol is given by a school teacher as he assigns the story to Gogol and his classmates. But the most important allusion to the story is the way that Gogol Ganguli changes his name just as Akaky Akakievich changes his overcoat. And the wearing of both of these things greatly change these two characters in very similar ways.

Both of the characters, Gogol and Akaky, are born without a name picked out. As baby’s both of their parents struggle to find the right names. In the end they are both, in a way, named by their fathers. “With a slight quiver of recognition, as if he’d known it all along, the perfect pet name for his son occurs to Ashoke… ‘Gogol,’ he repeats, satisfied” (Namesake, 28). “It’s evidently his fate. If so, better let him be named after his father. His father was Akaky, so let the son also be Akaky” (Overcoat, 395). In both cases of naming the authors suggest that the names were fated. As Nikolai Gogol writes in his story and as Lahiri quotes in her book, in both cases “the reader should realize himself that it could not have happened otherwise, and that to give [them] any other names was quite out of the question.”

The resistance Gogol shows, as a child, to getting a new name parallels the resistance Akaky shows to getting a new overcoat. When it came time for Gogol to assume his “good name” at school and be called “Nikhil” he was upset. “Gogol doesn’t want a new name. He can’t understand why he has to answer to anything else” (Namesake, 57). Akaky acts very similarly to Gogol when the tailor, Petrovich, tells him that his overcoat is impossible to repair and that he will have to get a new one. Like Gogol, Akaky is unable to even understand why this change needs to be made. “‘Why impossible, Petrovich?’ he said almost in a child’s pleading voice” (Overcoat, 403). At this point both of the characters are child-like, resistant, confused and scared to change.

The characters are very comfortable with the things they cling to. Akaky is a character who is afraid of change. He lives his life doing the same things day in and day out, never varying from his routine--

“However many directors and other superiors came and went, he was always to be seen in one and the same place, in the same position, in the same capacity, as the same copying clerk, so that after a while they became convinced that he must simply have been born into the world ready-made, in uniform, and with a balding head” (Overcoat, 396).

Part of that “uniform” is his overcoat, so it is no wonder why Akaky has trouble changing it. Comfort is also the reason that Gogol doesn’t want to change his name at first. “As a young boy Gogol doesn’t mind his name. He recognizes pieces of himself in road signs: GO LEFT, GO RIGHT, GO SLOW” (Namesake, 66).

Soon Gogol starts to believe that his misery might stem from his name, just as Akaky comes to believe that his misery “might perhaps lie with his overcoat” (Overcoat, 400). So they both decide to make the change, believing, for different reasons, that they have no other choice. Akaky gives in because his tailor will absolutely not mend his old overcoat. “Here Akaky Akakievich saw that he could not get around a new overcoat, and his spirits wilted completely” (Overcoat, 405). Gogol, however, believed that he had no other choice because he believed he wouldn’t be happy without making the change. “In spite of his parents’ sanction he feels that he is overstepping them, correcting a mistake they’ve made” (Namesake, 101).

Before both of the characters make the official change they already begin to experiences changes in their personalities just by the thought of making the official change. As a boy “Gogol does not date anyone in high school. He suffers quiet crushes, which he admits to no one” (Namesake, 93). But when Gogol, one night, tells a girl his name is Nikhil he acts very different. “It is the first time he’s kissed anyone, the first time he’s felt a girl’s face and body and breath so close to his own” (Namesake, 96). When his friends notice the change Gogol “shakes his head in a daze, as astonished as they are, elation still welling side him… he doesn’t tell them that it hadn’t been Gogol who’d kissed Kim. Gogol had nothing to do with it” (Namesake, 96). Gogol’s suddenly assertive behavior mirrors Akaky’s very same change when he just thinks of getting a new overcoat. “He became somehow livelier, even firmer of character, like a man who has defined and set a goal for himself. Doubt, indecision- in short, all hesitant and uncertain features- disappeared of themselves from his face and actions” (Overcoat, 407). In both cases the characters have a complete change of personality just by the thought of the actions they could take. These preliminary changes highlight one of the important and similar themes to each story, that a person does not need a change of costume to make a change in behavior.

Perhaps it is this feeling of change that comes over both of the characters that enables them to make the official change. Akaky must have liked the feeling of empowerment that the idea of getting a new overcoat gave him, therefore he decided to go through with the change. And sure enough once he put on his new purchase he was “in the most festive disposition of all his feelings. At each instant of every minute he felt that there was a new overcoat on his shoulders, and several times he even smiled from inner satisfaction” (Overcoat, 409). It is probably because he feels much like Gogol does after his change— “[Gogol] wonders if this is how it feels for an obese person to become thin, for a prisoner to walk free” (Namesake, 102). The two characters are both re-born into their newer, happier, more assertive selves because the changes they each make enable them to have the self-confidence they once lacked.

Akaky’s new overcoat enables him to become a different person. Gogol (the author) shows this when he at first mentions that after his dinner Akaky would “take out a bottle of ink, and copy documents he had brought home. If there chanced to be none, he made copies especially for his own pleasure…” (Overcoat, 398). Then after he gets the overcoat he writes that Akaky “dined cheerfully and wrote nothing after dinner…” (Overcoat, 410). His change becomes apparent when he makes the significant move of taking his old overcoat out to compare to his new one and finally is able to perceive its shabby state. Akaky even laughs at the coat, which becomes a symbol of his “old” self and then thinks “so far was the difference!” (Overcoat, 410). Gogols change is very similar— “But now that he’s Nikhil it’s easier to ignore his parents, to tume out their concerns and please… It is Nikhil, that first semester, that grows a goatee, starts smoking Camel Lights at parties and while writing papers… It is as Nikhil that he… gets himself a fake ID… It is as Nikhil that he loses his virginity at a party… “ (Namesake, 105).

Just as their changes cause their new personalities to appear, their new changes also cause their old selves to completely disappear, though in different ways. The overcoat causes Akaky’s death. If he hadn’t of gotten the new overcoat he would never have been out at a party late at night and wouldn’t have been assaulted and robbed. It was in order to recover the overcoat that he went to the important person for help, only to have his spirit broken, which caused his ultimate death. Perhaps if Akaky had not changed his “uniform” he would have not died. Lahiri parallels this when Gogol realizes that because of his name change, only a few people still call him Gogol. And when those people are gone, so too will his old name, and its history be gone. “Without people in the world to call him Gogol, no matter how long he himself lives, Gogol Ganguli will, once and for all, vanish from the lips of loved one, and so, cease to exist” (Namesake, 289).

Both characters suffer a “death” of their old selves but live on in new forms. Though Gogol Ganguli ceases to exist, “Nikhil will live on, publicly celebrated, unlike Gogol, purposely hidden, legally diminished, now all but lost” (Namesake, 290). Akaky is also able to live on as a ghost that haunts his town. As the ghost of his former self Akaky continues to get stronger. He is not afraid to be assertive and take revenge on those who have hurt him. Like Nikhil Ganguli, Akaky Akakievich is able to live on in his new form despite the death of his old self.

Gogol wears his name like Akaky wears his overcoat. Both things give them confidence, makes them feel like different people, and gives them the strength to do things they never thought they could do. But hopefully when Gogol finally reads “The Overcoat” he will learn that perhaps what Dostoyevsky meant by “we all come out of Gogol’s overcoat” is that our true selves are deep inside and that sometimes we just need an overcoat to make us feel confident enough to become who we truly want to be.

Copyright Megan Tharpe 2006